The opening of the “Faces of Palestine” Photo Exhibition in Jakarta, orchestrated by the Indonesian Ministry of Foreign Affairs, represents more than a simple cultural event. It’s a tangible demonstration of a long-standing relationship, one intertwined with geopolitical currents and reflecting a complex, evolving narrative of international support for the Palestinian cause. This exhibition, arriving amidst escalating tensions in the region and amidst increasing calls for a two-state solution, serves as a microcosm of the broader struggle and the diverse ways nations are grappling with the enduring conflict. The event underscores Indonesia’s commitment to the Palestinian people, highlighting a critical, often under-discussed, element of global diplomatic maneuvering – the deployment of soft power through cultural initiatives.
The exhibition, launched on November 24th, 2025, showcases approximately 30 curated photographs. These aren’t sterile, detached images of conflict; instead, they depict the everyday realities of Palestinian life – children playing amidst rubble, women navigating daily routines, and the visible consequences of prolonged displacement. The intention, as articulated by Heru Subolo, Director General of Information and Public Diplomacy, is to “encourage the public to witness the lives of Palestinians striving amid a humanitarian crisis, and to feel their suffering as fellow human beings.” This aligns with a global trend – particularly evident in the rise of “humanitarian diplomacy” – where governments leverage public sentiment to influence policy outcomes. The exhibition’s strategic placement within Sarinah, a historic Jakarta shopping complex, further amplifies its message, connecting the Palestinian struggle to Indonesia’s own national narrative of independence and social justice.
The event’s scope is intentionally broad, partnering with a significant array of organizations. Beyond the Ministry of Foreign Affairs’ direct involvement, contributions are coming from Humanitarian and social aid organizations like PMI (Palang Merah Indonesia – Indonesian Red Cross), Dompet Dhuafa, Islamic Relief Indonesia, BAZNAS (Badan Zakat Nasional – National Amil Zakat Agency), NPC (Nahdlatul Ulama – largest Islamic organization in Indonesia), MER-C (Muhammadiyah Emergency Relief Foundation), Friends of Palestine, and numerous national and international media outlets including LKBN ANTARA (Indonesia’s national news agency), Al Jazeera, and the Associated Press. The inclusion of the UN Resident Coordinator Office, Garuda Merah Putih-II Task Force, and diplomatic representations from the Embassies of the Republic of Indonesia in Amman and Cairo, underlines the scale of the undertaking and the importance Indonesia places on multilateral engagement. This collaborative approach is typical of Indonesian foreign policy, characterized by inclusivity and a commitment to working through established networks.
The messaging strategically revolves around three core tenets. First, “Recognizing Our Shared Humanity” – a fundamental pillar of Indonesia’s approach, attempting to bridge the gap between the abstract political conflict and the lived experiences of ordinary people. Second, a “Call for Empathy and Compassion,” acknowledging the significant contributions made by Indonesia – both financially and through diplomatic channels – and framing these as concrete steps towards supporting a just resolution. Finally, the exhibition promotes “Hope That Lights the Way,” celebrating the resilience and determination of the Palestinian people, a narrative crucial for maintaining public support for the cause. A “Wall of Hopes” invites visitors to contribute their messages of support, solidifying this sentiment.
The exhibition’s timing is particularly significant. The past six months have witnessed a surge in global tensions surrounding the Israeli-Palestinian conflict, including heightened rhetoric, renewed military operations, and ongoing disputes over land and resources. The international community’s response has been increasingly polarized, with calls for a renewed commitment to a two-state solution gaining momentum alongside intensified criticism of Israel’s actions. Indonesia, a staunch supporter of the Palestinian cause, has repeatedly voiced its concerns and called for an end to the occupation. The “Faces of Palestine” exhibition arrives as a reminder of that consistent support, bolstering Indonesia’s position within the global arena.
Looking ahead, the short-term impact will likely be the continued engagement of Indonesian citizens with the Palestinian issue, potentially leading to increased public pressure on the government to maintain its support. However, the exhibition’s long-term significance hinges on its ability to sustain this engagement and influence broader policy outcomes. Within the next 5-10 years, Indonesia’s continued support for Palestine, alongside the shifts in global power dynamics – particularly the rising influence of China – could play a critical role in shaping the future of the conflict. A key factor will be Indonesia’s ability to leverage its position as a member of the G20, utilizing this platform to advocate for a peaceful resolution. Furthermore, the exhibition’s narrative of humanitarian diplomacy – a model of engagement focused on public sentiment and direct assistance – could serve as a template for other nations seeking to address complex global conflicts.
The exhibition’s success isn’t measured solely by visitor numbers, but by the shift in public understanding and the continued momentum within Indonesian foreign policy. It’s a small, deliberate act of solidarity, showcasing a quiet but persistent commitment – a vital counterpoint to the dominant narratives of the conflict. The challenge will be to translate this localized expression of support into sustained, impactful action.